Leopold String Trio and Paul Lewis, piano
Classical CD of the week
‘When these musicians played these quartets at the 2000 Edinburgh Festival, I wrote that ‘every bar sounded fresh-minted in the hands of these wonderful young artists and Lewis is a star in the making: a born stylist’. Almost four years on, their performances retain the same youthful freshness.’ Hugh Canning, The Sunday Times 2003
CD of the week
‘There have been other memorable recordings of these glorious pieces, but few, if any, can rival this new disc’s combination of deep musical understanding with a sense of fresh, delighted discovery.’ Richard Wigmore, The Daily Telegraph 2003
Record of the Month
‘The player’s close spontaneous rapport, challenging or coaxing in dialogue and dovetailing their lyrical lines with natural grace, make even the augmented Beaux Arts Trio sound a shade studied….But for all the delicacy of playing, the music’s darkness and passion are fully expressed, whether in the mounting tension of the development or the turbulence of the coda. ..for freshness, insight and sheer beauty of tone and phrase, this new disc takes the palm.’ Richard Wigmore, BBC Music Magazine 2003
Editor’s Choice
‘There have been several excellent recordings recently of these two works, mostly on period instruments. Here’s another, on modern instruments, and with performances quite out of the ordinary.. A real winner, this disc: warmly recommended.’ Stanley Sadie, Gramophone Magazine 2003
Editors Choice
‘Remember the old adage that young artists should steer clear of indisputably ‘classic’ repertoire until they’ve lived long enough to have something genuinely original to say? Well either it’s plain wrong, or musicians are maturing faster these days. Take Mozart’s piano quartets, two absolute pinnacles of the medium: here we have a superb issue from young, world-class players, Paul Lewis and the Leopold String Trio. And they not only get to the heart of these pieces to a degree I’ve rarely encountered, but they take on such stalwarts of the CD catalogue as the expanded Beaux Arts Trio, Clifford Curzon and members of the Amadeus Quartet, not to mention the two versions by Isaac Stern and friends and top them all. You don’t have to listen far into the first movement of the G minor Quartet to discover passion, grace, pathos, brilliance, and a superb balance of shape and inner detail as the players spark off one another. It’s pure joy from first to last, and I urge you to add it to your shelves.’ Harriet Smith, BBC Music Magazine 2003
Purchase Options:
Hyperion Records
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